But what’s more is that he’s managed to take the elements of video games and employ them throughout his larger filmography. While his Resident Evil films are a far cry from the narrative of the games, also based on a Capcom property, the films earned a significant fanbase, grossed over $1 billion worldwide, and cemented Jovovich as an action hero in a time before women were breaking box office records as comic book superheroes.Ĭall them guilty-pleasures, cult favorites, or exercises in “vulgar auteurism,” a pretentious means of simply admitting you enjoy the works of a filmmaker who consistently doesn’t receive mainstream critical approval, Anderson has been instrumental in making video game movies success stories. As someone unfamiliar with the Monster Hunter video games, though possessing a basic understanding that it’s more about teaming up to fight giant monsters than any narrative or emotional complexity, Anderson’s film seems to succeed in bringing that world to life.Īnderson, is of course, no stranger to video game adaptations, having made his feature film debut with Mortal Kombat (1995), before going on to write and produce all six Resident Evil films, directing four of them, all of which starred Milla Jovovich, whom he married in 2009. It’s a simple yet effective premise, with the pulpy shades of Edgar Rice Burroughs’ A Princess of Mars, and the giant monster mayhem of kaiju movies, which the film’s producer, Toho, is widely known for as the creator of Godzilla and his ilk.
Army Ranger, Artemis, stumbles into a portal to another world and teams-up with Tony Jaa’s Hunter to fight giant monsters so that she can return back to her own world. The film, from Sony Pictures and based on the popular Capcom video game series, is little more than it’s been sold as: Milla Jovovich’s U.S. Anderson unleashes Monster Hunter on North America, following its global debut earlier this month. Anderson movies provide us as audiences?” And the answer to that question makes the filmmaker unique in the contemporary blockbuster space. But what is interesting is the question of “what do Paul W.S. Anderson movies?” is no more interesting than asking the same about any other filmmaker. But the question of “why do people like Paul W.S. Yet, there has been an attempt in recent years to qualify why the filmmaker, who has never been a critical darling in polite terms, has such a dedicated fanbase, one that includes this author.
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Anderson movie is, more often than not, a choice to be entertained, nothing more, nothing less. The answer is an affirmative, because to opt in for a Paul W.S.
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